A sequel in name only to Herman Yau’s memorable 1993 Cat III picture THE UNTOLD STORY, which features a powerhouse performance from Anthony Wong, THE UNTOLD STORY 2 has virtually no relationship with Yau’s film – other than the presence of Anthony Wong in the cast. Though the film’s promotional artwork, and certainly the DVD cover, might suggest Wong is playing a cannibalistic cook similar to the ‘Bunman’ of the first picture, the reality is far different. In THE UNTOLD STORY 2, Wong plays a minor character, an indolent police officer named Lazyboots. It’s a walk-on, walk-off role, certainly overshadowed by the major player in this film, Paulyn ‘Alien’ Sun.
Sun plays Fung, the mainland cousin-in-law of Cheung (Emotion Cheung) who arrives in Hong Kong to work at the family-owned restaurant. The clientele of Cheung’s restaurant are equal parts police and triads. Anthony Wong’s character, Lazyboots, offers some comic relief; like many HK films of this era, THE UNTOLD STORY 2 depicts the police as clueless and utterly impotent.
From their first meeting, it is clear that Fung is besotted with Cheung. Fung is charming and loyal – everything Cheung’s unfaithful, unpleasant wife, Fung’s cousin, is not. However, Fung is also a raving maniac, something which is revealed gradually to the audience and then to Cheung: we realise the depths of Fung’s depravity when, in retaliation for anti-mainlander abuse thrown at her by a customer in a shop, Fung follows the woman into a public lavatory, douses her in paint and sets her alight. Outwardly polite and deferential, Fung is also secretly murderous.
Played wonderfully by the beautiful Alien Sun, in a performance that oscillates between absolute naivete and savagery, Fung is a deceptively complex character. Certainly, her dedication to the put-upon Cheung makes her somewhat sympathetic, though as the narrative progresses her violence escalates, and as the film heads towards its climax Fung descends into full-on ‘bunny boiler’ mode – with the final sequences of the film paying homage to the likes of Adrian Lyne’s FATAL ATTRACTION (1987) and Curtis Hanson’s THE HAND THAT ROCKS THE CRADLE (1992). However, arguably the film is largely sympathetic to Fung: we see the prejudice that, as a mainlander, she faces from the Hong Kongers, who subject her to namecalling and ridicule her. On the other hand, Fung’s deadly behaviour in some ways seems to legitimate the Hong Kongers’ fear and distrust of mainlanders: the film seems to suggest that these two factors become self-validating, leading to a spiral of antagonism between the two cultures.
‘I am the last woman in your life’, Fung tells Cheung as the film nears its climax. But when the deadly Fung is played by the incredible Alien Sun, who can make the most murderous character utterly beguiling, if you were in Cheung’s place would you mind?
Viewing Notes. Watched via the Chinese Universe DVD release, which contains a non-anamorphic presentation (1.85:1) and runs for 90:35 mins.